REPRESENTATIONS OF GENDER SOLIDARITY ON FEMINISM: ANALYSIS OF THE INFLUENCE OF MALE FIGURES IN THE MOVIE KARTINI (2017)
Keywords:
Feminism, Gender solidarity, Javanese ancient tradition, R.A. KartiniAbstract
The movie industry has undergone a significant evolution. Initially regarded as a mere entertainment medium, it has now evolved into a highly influential medium for conveying cultural values that reflect the realities of society, as one of the heroic-themed films by Hanung Bramantyo, entitled Kartini. Released in 2017, Kartini recounts the struggles of Raden Ajeng (R.A.) Kartini, a pioneering figure in the Indonesian feminist movement, who faced the constraints of patriarchy by Javanese ancient tradition. In the context of feminism, there is a common misconception about feminism that it is perceived as an anti-male movement. Kartini is interesting to discuss because it presents the complexity of R.A. Kartini's relationship with the male figures around her in a patriarchal and feudal environment of ancient Javanese traditions. This research employs a descriptive-qualitative analysis approach to identify how the male figures in the movie contribute to the narrative of gender equality. Furthermore, it employs Bell Hooks's feminism theory to demonstrate that the concept of feminism is not exclusively by and for women. The analysis findings indicate that the construction of the relationship between R.A. Kartini and several male figures around her contributed to the presence of her progressive thinking. The findings concluded that male figures' contribution to R.A. Kartini's progressive thinking in the fight for gender equality can be described as a form of gender solidarity. The study argues that the findings have significant implications for enhancing our comprehension of the importance of gender solidarity and support for feminism in pursuing gender equality.References
Abdullah, I. (1997). Sangkan Paran Gender. Pustaka Pelajar.
Alberto, D. J. (2021). “Peran Sutradara dalam Pembuatan Film Pendek Berjudul Unknown”. OMNICOM: Jurnal Ilmu Komunikasi, 7(1), 1–10.
Alfathoni, M. A. M., & Manesah, D. (2020). Pengantar Teori Film. Deepublish.
Aning, F. (2005). 100 Tokoh yang Mengubah Indonesia: Biografi Singkat Seratus Tokoh Paling Berpengaruh dalam Sejarah Indonesia di Abad 20. Penerbit Narasi.
Bates, T. R. (1975). “Gramsci and the Theory of Hegemony”. Journal of the History of Ideas, 36(2), 351–366.
Bayertz, K. (1999). Four uses of “solidarity.” In Solidarity (pp. 3–28). Springer.
Dennis, F. G. (2008). Bekerja Sebagai Sutradara. PT PENERBIT ERLANGGA MAHAMERU.
Digby, T. (2013). Men Doing Feminism. Routledge.
Femia, J. V. (1987). Gramsci’s Political Thought: Hegemony, consciousness and the revolutionary process. Oxford University Press.
Flood, M. (2019). Gender equality: Engaging men in change. The Lancet, 393(10189), 2386–2387.
Handayani, C. S., & Novianto, A. (2004). Kuasa Wanita Jawa. LKiS Pelangi Aksara.
Hooks, B. (2000). Feminist Theory: From margin to center. Pluto Press.
Karkono, K., Maulida, J., & Rahmadiyanti, P. S. (2020). Budaya Patriarki dalam Film Kartini (2017) karya Hanung Bramantyo. Kawruh: Journal of Language Education, Literature and Local Culture, 2(1).
Karlina, H. (2020). “Pemikiran Pendidikan dan Perjuangan Raden Ayu Kartini untuk Perempuan Indonesia”. Jurnal Humanitas, 7(1), 35–44.
Marihandono, D., Khozin, N., Arbaningsih, D., & Tangkilisan, Y. B. (2016). Sisi Lain Kartini. Museum Kebangkitan Nasional.
Moesseno Kartono. (2010). Sikap Hidup Drs. R.M.P. Sosrokartono Sebagai Pedoman Hidup Generasi Penerus.
Perwitasari, M. E., & Hendariningrum, R. (2014). “Analisis Wacana Kritis Feodalisme dan Diskriminasi Perempuan Jawa dalam Novel Gadis Pantai karya Pramoedya Ananta Toer”. Jurnal Ilmu Komunikasi, 7(3), 212–227.
Putri, A., & Nurhajati, L. (2020). “Representasi Perempuan dalam Kukungan Tradisi Jawa pada Film Kartini karya Hanung Bramantyo”. ProTVF, 4(1), 42–63.
Rippe, K. P. (1998). “Diminishing solidarity”. Ethical Theory and Moral Practice, 1, 355–373.
Sari, K. W., & Haryono, C. G. (2019). “Hegemoni budaya patriarki pada film (Analisis naratif Tzvetan Todorov terhadap film Kartini 2017)”. SEMIOTIKA: Jurnal Komunikasi, 12(1).
Soeroto, S. S. M. (2011). Kartini Sebuah Biografi (Issue 6434). Balai Pustaka (Persero), PT.
Sudaryono, S. (2016). Metode Penelitian Pendidikan. Jakarta: Kencana.
Therborn, G. (2004). Between Sex and Power: Family in the world 1900-2000. Routledge.
Walby, S. (1989). Theorising patriarchy. Sociology, 23(2), 213–234.






